For those who are unfamiliar with the story, Jane Eyre is cast off by his aunt at an early age and grows up in a strict boarding school for 'orphan' girls like her. After years of tough education, she graduates as an able and mysterious governess and finds a job looking after the ward of one Edward Fairfax Rochester - the ill-tempered master of the Thornfield Manor. Seeing Jane as a different kind of 'subordinate', he finds himself inexplicably drawn to her. Jane, on the other hand, tries her best to avoid being sucked into a situation that she has never experienced in her life - that of a romantic attachment of a man. She is, however, unable to resist Rochester's undoing of her icy exterior.
Things do not go according to plan as this relationship is doomed from the very start - in fact, doomed before it even starts. Fukunaga and screenwriter Moira Buffini balance the form and language of the source novel incredibly well, save for the inevitable twist, which comes in a little heavy-handed. Another source of concern is the framing story (all of this is in flashback), which is also rushed to make sure the running time is no longer than 2 hours. These sudden changes of pace feel a little out-of-place in a film that is otherwise incredibly powerful.
Mia Wasikowska as Jane Eyre |
Jane eyre is a gorgeous film. The damp, eerie English landscape never looked so scary and beautiful at the same time. The countryside and the changing weather become a character unto themselves and complement the 'human' events perfectly. Even if you're not into costume dramas, go and see this beautiful film. You will not regret it.
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